Yet even as he accumulated statistics and countless reels of tape for high-level, cross-cultural comparisons, Lomax held fast to his vision of folk music as a window into the experiences of the poor and dispossessed. ![]() Beginning his career as a folklorist in the 1930s with field recordings of African American music in the rural South, he aspired by the 1960s to nothing less than the analysis and classification of folk songs from around the world. Alan Lomax was a titanic figure whose ambitions were even greater than his formidable energies.
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